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periScope theatre
· Earlier shows
2010
periGators features live music on weekends by
upcoming new talents, well established acts and aging legends lured
back for intimate evenings of Blues and Rock
For the latest, please return to the main periScope page
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Blues/Rock legends The Blues
Broers are reuniting with one of their founder members,
Netherlands-based guitar player Johnny Frick, to join them on stage for
5 concerts
Formed in 1990, the Broers
quickly garnered a loyal following amongst Cape Town music fans, but
their success at the 1995 Grahamstown Jazz festival was pivotal in
spreading their message. Soon they were performing their unique blend
of Blues and Boogie all over the country
The band released 5 albums,
including 'The Cellar Tapes', recorded live over 3 sold-out nights at
the Hidden Cellar in Stellenbosch

The line-up for the shows: Albert Frost (at right, guitar and vocals),
Simon Orange (keyboards and vocals),
'Big' Bob Nagel (left, bass and harmonica), Tim Rankin (drums), Dr'
John Mostert and special guest
Johnny Frick (guitar and vocals). Clayton Frick will be flying in from
Australia to guest.
He will be remembered for his appearances with the Broers, notably on
the Cellar Tapes
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After the death of drummer Frank Frost in 2000 the
band began to perform less and less and eventually the members moved on
to other projects
Blues
Broers · Images by LouisVorster.com
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However, the mounting pressure from their fans to
perform again took its toll. The Broers have thankfully kept those
black suits in storage and now they're ready to ride again!
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Ella se Perde a Play by Charles Fourie
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Press release
Klein Karoo Arts festival production
previews in Pringle bay
Writer and director Charles J. Fourie’s play
Ella’s Horses will be performed at Perigator’s in Pringle bay during
the school holiday before the productions tours to the KKNK arts
festival in Oudtshoorn.

The production featuring award-winning
veteran actors Mary Dreyer and Neels Coetzee tells the story of the
Overberg’s eccentric horse lady.
Ella Gordon asks her preacher to help her
draw up her testament, and her request to take her beloved horses to
heaven leads to a comical and endearing conversation around the
afterlife and forgiveness.
Diane de Beer describes the production in
her review for the Star Tonight; “Charles Fourie’s new script, is a gem
and starring the talented yet little seen Mary Dreyer, it’s a glorious
and spirited telling of an unusual life.”
During performances at the Aardklop Arts
Festival Mary Dreyer was nominated as best actress. The play was also
published in 2008 and is set to become a prescribed work for Grades 10
to 12.

Charles also recently received the Maskew
Miller Longman drama award for his play The Lighthouse keeper’s Wife.
The
performance will be held on 1 April at 20h00 and tickets cost only R40.
For bookings and more info contact Ali 082 457 9403
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“OF HORSES AND HEAVEN”
Charles J.
Fourie in conversation with Anton Krueger
Charles Fourie
has always been interested in exploring marginal figures. In his past
plays he’s often written about outsiders who define the liminal zone
between the inside and the outside; between acceptable behavior and
scandal. He describes the protagonist of his new play, Ella se Perde,
as part of a through-line of characters he’s written about in pieces
like Stander and Florence Foster Jenkins. “It’s amazing,” he says, “how
if you take a character that roams on the periphery of society you can
access the core”.
Ella Gordon
Dove Colston was born in Edinburgh and came to South Africa with a
French circus. She ended up working in theatre at the Tivoli and then
she bought the Braemar farm in the Overberg. Fourie goes on: “She
started picking up problems with the local farmers because they found
her too masculine. She was very independent and did all the work
herself and this was the late 1800’s. She moved to Hermanus, but she
left the dorp because she was politically liberal and gay and didn’t
really fit in there.
So eventually
she bought this farm and built a school and a church for the people who
worked for her. What was also interesting about her was that she had
this incredible love for animals, especially horses. She left the farm
to the Monrovian mission and I’ve developed a hypothetical conflict
between her and the priest who helps her to draw up her will, where
they disagree about the role of animals in the after-life.”
At the moment
the dialogue is in both English and Afrikaans, but Fourie hopes to
develop the play further and eventually rework it only in English. This
will make it easier to tour the piece in the UK, but, he also points
out that since Ella was Scottish it was sometimes difficult to convey
her properly in Afrikaans.
Fourie is
unusual in that he writes with equal fluidity in both English and
Afrikaans. He’s also incorporated Xhosa into past work, saying that
since all of these languages are spoken by South Africans, he thinks
its important to work in “crossover” genres. I ask him whether he
experiences a difference between English and Afrikaans audiences, but
Fourie says that he finds a greater difference in regions: “Each
audience is different in terms of the environment that they inhabit,”
he says, “So I think audiences up here in the North-West and
Johannesburg are definitely different from audiences in Cape Town, but
I think any play should be generic enough to transcend that sort of
cultural specificity.” He elaborates further on new South African
writing, saying that he thinks “South African writing should move
beyond the local – we’re involved with the world now, so it’s a waste
of time to only play to South African audiences, even if its about
South Africa.”
I point out
that Fourie’s own plays – of which there are now about 40 – have always
been very firmly rooted in South African soil. He was also part of an
initiative to publish a collection of new South African plays in London
last year, but Fourie insists that although the work is born here, it
doesn’t need to confine itself to South African “issues”.
For example,
there were many different directions his new play could have taken, and
many ways of telling the story about this fascinating character, but
Fourie says that he tried to keep it subtle. “It’s a tight, condensed
little play,” he says, “one tends to over-write and I really made an
effort to see if I can’t do the Hemingway thing – just stick to the
path and leave the avenues to echo.” So he’s focused on the dynamic
between this vibrant, fiery individualist and a representative of
organised religion.
Being the sort
of person that she was, Ella wouldn’t have been too happy with any form
of dogmatic religion, and the fact that she also had a love
relationship with the niece of the reverend couldn’t have endeared her
to the church. Then there’s their disagreement about animals in the
after-life, and what it means to long for heaven. So although this is
not a polemical piece, Fourie says that “the whole concept, in a very
subtle way is also looking at the premise of transition and
transformation. And I kind of see that as political as well, cause it’s
where we are now. South Africa now is supposed to be in “heaven”,
post-1994.”
Fourie didn’t
want to give too much away about the twists of his plot, so audiences
will have to wait for the play to open tonight before they discover
whether Ella’s horses make it to heaven.
(This article
by Anton Krueger first appeared on Litnet and in SPAT)
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Albert Frost
image Liam
Lynch
Rocking the Blues for two decades! Albert Frost
made a name for himself in the early nineties as the 15-year-old
guitarist for the seminal band the Blues Broers
He is an all-round
master guitarist with a passion for music that reflects happiness over
any audience and for lovers of all genres. He has performed and
recorded with some of the world’s best musicians including Ali Farka
Toure, Vusi Mahlasela, Arno Carstens, Koos Kombuis, Valiant Swart, Riku
Latti, Louis Mhlanga and Simon Orange. He has shared stages with The
Rolling Stones, R.E.M. and Simple Minds and performed for Nelson
Mandela. Alongside Arno Carstens, he shared the stage with Neil Young,
Bruce Springsteen and the Pixies
He’s played all major
festivals in South Africa as well as having had the honour of
performing solo at the famed Isle Of Wight festival, where he also did
a collaboration with James Walsh from ‘Starsailor’. He’s played 11
Grahamstown Festivals, 8 Oudtshoorn KKNK festivals, 6 years at
Aardklop, did a 4th performance at Woodstock, Splashy Fen – and
incredibly, 2009 year marked Albert’s 23rd Oppikoppi Festival
performance

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He effects success
into the albums of many artists and is loved by crowds all over the
world. Frost has just released his first solo studio recorded EP,
“Devils & Gods” and plans for 2010 are focused on re-inventing
himself as a solo artist.
Albert is currently working on new material and with the
latest South African super-group, “The Gods”, whom you’ll be able to
see at the Up The Creek festival in February.
“The music could speak
volumes more, but the man (Albert Frost) is a veritable living legend
at 30 and fondly dubbed “SA’s best blues guitarist” by way too many
people to be denied a bit of hero worship” – Jess Mitrani – Levi’s
Music Mag 2008
Albert Frost started
playing the guitar in 1990, when he’d barely turned 13. He was voted as
Best Blues guitarist in South Africa by Stage Magazine. This fact,
however, shouldn’t let you underestimate the man’s serious Rock
abilities
In 1994 he started
playing alongside his father, the legendary Frank D. Frost, in the
awesome blues band, the Blues Broers. Frosted Orange was created in
1996 with artist Simon Orange, who played keyboards and vocals for the
Blues Broers
Albert performed with
Valiant Swart from 1999 to 2003 and recorded Blou Kombuis with Koos
Kombuis in 2000. In 2004, he played with the Belgian band, Blues Lee at
the internationally acclaimed music festival, Pukkelpop, in Belgium.
Daniel Lohues, an international blues performer from Holland,
collaborated with Albert at an electrifying Oppikoppi show during the
same year
Recording a live solo
album in 2002, titled Catfish, created a new spectrum with his
performances of original songs and Frost-versions of the classics from
Jimi Hendrix, John Lee Hooker and Muddy Waters to name a few. Albert is
a mood-man who can perform intimate solo shows and an electrifying
fusion of blues and rock and roll funk with his Trio band
Arno Carstens’ New
Porn was formed in 2003 when Albert joined forces with Arno Carstens
(Springbok Nude Girls) Albert collaborated with Arno in the making of
both Arno’s solo albums, on lyrics and in defining the essence of how
the album sounds. “Another Universe” went gold and Arno won Best Rock
Album Award at the SAMA Awards in the same month they supported REM on
their world tour in March 2005. He brought a raw quality to the music
and his extended blues background gave it a delicious flavour. With the
successes of the Internationally released, “The Hello Goodbye Boys”, he
spent most of 2006 and 2007 touring with some of South Africa’s finest
musicians, the legendary Brendan Jury (Urban Creep & Transky)
on strings and keyboard, Jerome Reynard (OHM & Nine) on drums
and Warren Leicher (Plum) on bass guitar
Albert's first solo studio album, “Devils and Gods” was
released in 2009 on Seed and is available in stores now
AlbertFrost.com
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Tony
Cox

Three times SAMA award-winning acoustic guitar
maestro, Tony Cox is returning to South Africa from the UK this August.
He left SA with his family in 2008 to settle in the UK and has since
been very busy on the world's stages performing to an ever-widening
audience and appreciation.
If this guitar player plays anywhere near to you,
make every effort to see him and experience a home-brewed and nicely
matured 56 year-old guitar phenomenon like no other. Bring your family,
bring your friends, and drag the young heavy-metal heads along by
threat and force
because they too will be simply blown away and will never look at their
guitars the same way ever again.
Latest News
Tony has made steady in-roads into several
countries since moving to the UK in 2008. Canada in particular has seen
a steady increase in awareness of Tony's musical abilities; witnessed
by the increased attendance figures at many of the venues he has
performed in and visited for
the second and third times. His album 'The Best of Tony Cox' has been
released through the retail outlets in Canada.
Italy too has proved to be an exciting new
audience with his one performance at the Madame International Guitar
festival last September in Tricessimo, resulting in several creative,
musical friendships and a return journey just months later to the Emmas
festival in Sardegna which
has then led to other festival offers for 2010.
The USA is also now proving to be a good playing
ground for this African guitarist with his last tour there, covering
Colorado and California, yielding many invites for a return in 2010.
His visit also led to an interview and performance filmed at the Red
Kiva in Chicago for the africa channel on Sky TV in the UK and cable
across the US.
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Several recording projects lay ahead for the
guitarist. In Canada he will begin work in June on new guitar music
with extraordinary Canadian guitarist Ryan le Blanc. Ryan and Tony have
toured together several times in Canada and have sparked a unique
friendship that has also resulted in a unique guitar collaboration.
While in Italy, another strong friendship was
formed with one of Sardinia's finest guitar players, Alberto Balia.
Neither can speak the other's language but no matter, because the music
they make together knows no boundaries. They collaborated at the Emmas
festival and appeared on stage together after a single day's rehearsal
to a wild and appreciative audience. Recording and touring with Alberto
is set for late in 2010.
The UK for the last 2 years has become home to
Tony and his family. He has already performed extensively across the
isle at festivals, arts centres, folk clubs and other music venues and
has just completed a delightful collaboration with young Scottish
fiddlers at the
Celtic Connections festival in Glasgow, Scotland.
Video links
Tony
Cox – Celtic Connections Festival, Scotland, performing 'All Change' -
Jan 2010
Tony
Cox – Old Town School of Folk Music, performing 'Slap Chips'
Tony
Cox – Old Town School of Folk Music, performing 'Hummingbird'
Press
The strength and precision of what
emerges from this man's Mervyn Davis guitar is quite breathtaking
- Andrew Smith, The Press and Journal, Scotland, Jan 2010
Accomplished acoustic guitar players
are everywhere these days. There’s a whole calendar of festivals
dedicated to them and as they mingle and influence each other, it’s
becoming increasingly difficult for one to arrive with a totally
individual ‘voice’. Tony Cox, however, may
just have managed this. His guitar style has as distinctive a South
African tang, with added tones from his native Zimbabwe, as his accent
- Rob adams, The Herald, Edinburgh Fringe Festival,
Scotland - 2009
Tony on the web
Tonycox.co.za Myspace.com
Youtube.com
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DiamondBack
Blues band

Rooted in the blues, the
band's original songs are clearly reminiscent of the glory days of
vocal-based blues, and they even manage to rework a couple of classics
along the way. Originally formed in 2006, Diamondback has undergone
several member changes up to this point. The current line-up's energy
and originality is the band's best incarnation yet. A must see for
vocal and blues fans. Facebook
Diamondback is: Charlene
King - vocals; Ian Gordon - guitar; Dave le Warne - drums; Anton
Marshall - bass.
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Gerald Clark, front man of Delta Blue has teamed
up with brilliant singer-songwriter Peter Hoven to form a duo that has
everybody in the music industry talking. It is rarely that you hear
music performed with the kind of honesty , fearlessness and exuberance
that grabs your soul
Stefan Dixon

Cape Town born Stefan Dixon has been edging onto the local music scene for sometime
now. His musical journey started at the tender age of seven, tinkering
on the ebonies and ivories. He is highly influenced by Dave Matthews
Band, as well as South African musical marvels Vusi Mahlasela and
Johnny Clegg. He also draws inspiration from nature, and the curses
that humans have afflicted upon it. His songs are highly emotive and
thought provoking.
His career kicked off way back in 2002 as a
support act for the critically acclaimed Henry Ate, and he has been
jogging steadily towards international recognition ever since. In 2003
Stefan played at South Africa’s Oppikoppi Easter Show, the infamous
megafest’s baby sister. His set was well received by the crowd, and was
the beginning of an inspiring musical journey for Stefan. Since then he
has played with South African music legends Tidal Waves and Stealing
Love Jones, both of whom have been internationally recognised and
lauded. In 2005 Stefan collaborated with Tidal Waves’ Jacob “Zakes”
Wulana at the main Oppikoppi Wired Festival for a number of gigs. This
was a definite career highlight for Stefan.
Stefan’s original acoustic melodic rock is
currently tantalising tympanic membranes from the shores of the Cape to
the heart of Europe. One review said “Stefan performs songs that speak
of his heart and mind, and the world outside. He has a uniquely South
African sound, reminiscent of a new age Johnny Clegg… but without all
that kicking.” He has recently returned from a well received tour of
Belgium where he exhibited his skills from braais to small rock
festivals, from the diamond encrusted village of Antwerp, to the
cosmopolitan metropolis of Brussels.
Stefan Dixon has recently completed the recording
of his much anticipated debut album at Dockyard Studios. He is
currently touring both nationally and internationally to promote the
album, and is planning another tour to Belgium later this year.
“Stefan performs songs that speak of his
heart and mind, and the world outside.He has a uniquely South African
sound, reminiscent of a new age Johnny Clegg… but without the loincloth
and all that kicking.” - chew magazine
Steve Van

Tim Parr, Steve Van
Before going solo, Steve Van
had formed two previous bands, “Junglebook Vultures” (1995 - 2000) and
“Rust” (2000-2002). The Cape Argus Newspaper later accredited the
Junglebook Vultures as pioneers of Acoustic Rock in South Africa
Steve went on to record two
solo albums, “Getting Stronger” and “The River”. Both albums were well
received with a number of the tracks receiving airplay on various radio
stations and television shows in South Africa
Steve is currently performing
with good friend and fellow musician, Tim Parr. Together they have
formed the band "the Vans". Tim is also producing their new album, "In
the shadow of the sun", due for release in February 2010. Included on
the new album is Steve's song "Into the Sky" as seen on the VW TV ad,
Saying goodbye to Citi. myspace.com/stevevan
Pete
Stanford

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Natasha Meister Sat 17 April

Canadian born Natasha Meister has already
attracted a following thanks to the power of her voice and artistry of
her guitar work. One can hardly believe that this powerhouse is only 19
year’s old Natasha
Meister Band on FaceBook
Piet Botha

November 2009 marks the 25th
anniversary of the band known as Jack Hammer. This South African band
has always stayed true to its original brand of Rock 'n Roll, and has
toured and recorded over the years, never seeking the limelight but
always playing their hearts out. Read on, ...jackhammer.co.za
Barry Klopper

Traveler, writer, wordsmith,
musician, mortician, barman, craftsman, baker, bouncer and pizza chef.
Once ran a biker bar. Built and operated two recording studios and was
always going to be really famous in fifteen minutes
Remembers seeing nearly all of
Pink Floyd at Wembley. And Allen Ginsberg howling in Munich, as well as
the artist formerly known for writing really great songs. Survived the
80's. Dragged out Naked Lunch through several languid breakfasts and
still thinks that Terry Pratchett should be prescribed for every
ailment Lobsang Rampa couldn't cure barryklopper.com
Peter
Vanne

Peter's wide repertoire spans
decades of music in most popular genres. He has the ability to gauge a
crowd and play accordingly. His target audience is 30 year olds and
older. Peter also does a ”tribute to Eric Clapton” in a duo. On the Web
Ralph Beeby

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Jasper
Dick
Jasper Dick’s been kicking around the Cape Town
music scene for a while, but has lately been picking up steam and
playing more venues in and around Cape Town. One can often catch him at
the playing at gatherings of the Barleycorn Music Club. This group of
folk and blues musicians and fans meets every Monday at the Villager
Football Club in Claremont, so if you feel like an evening of good folk
tunes, with a bit of blues and jazz thrown in, you should go and check
it out. Jasper’s played at the Up The Creek, Zeekoevlei and the Annual
Barleycorn Music Festivals.
He’s been going his own way for quite some time
now, and has built up quite an impressive body of material. Unlike most
solo artists and bands in Cape Town, Jasper also allows fans to
download his songs for free from his web site, all
he asks is that you add yourself to his mailing list
Jasper’s music is a mixture of smooth, original
folk, blues and a little bit of jazz, and he counts as influences
artists like Tracey Chapman and John Lennon. The result is melodic,
easy to listen to acoustic music that’s great for playing in your room,
but even better live
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The Jeremiah
Brimstone Band

Jeremiah Brimstone Band is a five-piece acoustic
band that performs what might best be typified as alternative folk,
albeit laced with strains of country, bluegrass and the blues
Songs like “Matsulu & the Fall,” “Song of
the Furtives” and “Mistah Kurtz (he dead)” evoke those implacable
forces that impinge upon our lives and ensure the perennial strangeness
of existence. Songwriter and vocalist Dawid de Villiers (also on guitar
and banjo) is joined by Elmi Badenhorst (accordion and harmonica),
Heine du Toit (bass, slide guitar and hang), Natalie Mason (viola) and
Hendré Retief (percussion) to perform a darkly soulful and at times
agitated take on the folk genre, with a sound that registers the
influence of the music of Johnny Cash, Leonard Cohen, Nick Cave
& the Bad Seeds, Tom Waits and Sixteen Horsepower.
The band’s first album, From the Wrong Side of the
River, was released in November 2009 on their own label, MUTEHORSEMUSIC. jeremiahbrimstoneband.com
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amaBhulu?

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amaBhulu?—’n folk band uit die Boland
uit—gooi 'n allegaartjie van folk, kwela, blues, reggae, country, gypsy
en melankoliese ballades saam, so vêr as moontlik vermeng met 'n lekkie
boeremusiek
Die band se oorspronklike komposisies is
gebed en gebodem in Wes-Kaapse Afrikaanse spreektaal en die lirieke
raak slaags met al wat ’n groot vraag is, van alleenlopery, die liefde
en verlies, tot eietydse spanninge tussen kultuurvervreemding en
-affiliasie, tuiswees en weg-wil-wees ... alles met 'n stewige tong in
die kies
Musikale invloede is divers en
uiteenlopend—van David Kramer en Nico Carstens aan die een kant tot
Pink Floyd en verskeie wereldmusiek, veral van Afrika aan die ander kant
amaBhulu? “die ewige soeke na die
klankflans van basterwees”
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amaBhulu? hails from the Boland and presents
a jumble of folk, kwela, blues, reggae, country, gypsy music and
melancholic ballads mixed with a bastardized, alternative boeremusiek
The band’s original songs are rooted in
vernacular Western Cape Afrikaans and jitterbug with every question
that bedevils human existence—including cultural alienation and
affiliation, love and loss and the ever elusive search of our probable
spiritual nature – all presented with tongue in cheek
Our influences are wide and diverse,
ranging from David Kramer and Nico Carstens to Willie Nelson and Pink
Floyd, as well as a variety of world music (with a strong bias in
favour of the African continent).
amaBhulu? reflects an eternal search for the sound-weft of bastardy
amabhulu.co.za
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